DCTL Color System — DaVinci Resolve Studio

Cinematic color in seconds.

9 parametric DCTLs. No LUT limitations.

Please fill in your name and email.
✓ Check your inbox — your GLOOK trial download link is on its way.

No credit card. One email. Works on your own footage in Resolve Studio.

9
Professional DCTLs
175€
Full pack · one-time payment
3
Native colour spaces
Free updates
The problem

A LUT doesn't know what your image is.

A DCTL reads it, analyses it and acts accordingly. The difference isn't aesthetic — it's mathematical.

Video by @carlosgott_ on TikTok

LUTs

LUTs break image integrity

A LUT is a fixed preset for one exposure and one camera. Apply it to other footage and it will clip highlights, crush shadows and destroy skin.

Time

Building looks takes too long

Recreating a film stock response by hand means hours of manual adjustments — and doing it all over again on the next project, camera and deadline.

Consistency

Results are inconsistent between projects

Without a shared starting point, the same show can look different from scene to scene, camera to camera, or colorist to colorist.

How GLOOK works

A faster way to achieve film-grade results inside DaVinci Resolve.

GLOOK reads the image on your timeline and reshapes its tone, colour and texture in response — instead of overlaying the same fixed values on every shot.

INPUT

Your footage

Any camera, decoded to your working space with CST.

NODE

GLOOK

Drop the DCTL on a node. Dial the strength to taste.

OUTPUT

Cinematic Look

Consistent, film-like image — ready to deliver or grade further.

The ecosystem

9 DCTLs. Each one solves a different problem.

Buy what you need individually or get the full pack at a discount.

GLOOK

25€

7 cinematic looks (Blockbuster, Warm Gold, Kodak 35mm, Kodak Gold, Nordic, Neon City, Bleach) with automatic skin protection. Supports 13 cameras (ARRI, Sony, Blackmagic, Canon, RED, Panasonic, DJI, iPhone) in Rec.709, DWG and ACES cct.

GLOOK Pro

55€

13 looks (including Euphoria, Empyrien, Afterlife, Zion, Fantasy, Eternity), 6 selectable film contrasts and a GSCORE narrative arc (Calm → Tension → Climax). Triple-layer v2.1 skin detection, more robust under motion and changing light.

PGLOOK

25€

ARRI colour-science emulation: neutral highlight rolloff, shadow volume, luminance-aware saturation curve and a cinematic contrast S-curve. Sits after GLOOK, before the output CST.

GFILM

20€

Film emulation: Kodak Vision3, Fuji Eterna and more. Four photochemical stocks, each with its own density curve and colour response.

GSPLIT

25€

Cinematic split-toning: separates shadow and highlight tone to add depth and mood without touching your primaries.

GNEG

35€

Negative densitometric space. Contrast that breathes like film instead of behaving like a digital sensor.

GTEXTURA

30€

Organic grain, halation and vignette to break the clinical cleanliness of the digital sensor.

GCHRONICLE

35€

80 years of cinematic visual language in one selector, decade by decade.

GNARRATIVE

35€

Looks organized by narrative genre, to start the grade from a point coherent with the story you're telling.

Bought separately: €285 · Full pack: €175 — save €110

What changes in the image

Five improvements. One node.

Natural highlight roll-off

Skies, windows and practicals compress gradually instead of clipping to flat white.

Film-like grain response

Fine, organic texture that makes the image feel alive rather than sterile.

Automatic skin protection

Faces stay natural and believable no matter how strong the look is pushed.

Cinematic colour separation

Colours separate the way they do on photochemical stock — depth in the palette instead of a flat tint.

Consistent behaviour between projects

The same look responds the same way across cameras and scenes. The grade holds shot to shot.

Used by colorists and filmmakers in DaVinci Resolve

★★★★★

"I'd spent months looking for a DCTL that actually protected skin. With GLOOK Pro the Blockbuster teal stays in the background and faces stay clean."

Carlos M. — Colorist · Madrid
★★★★★

"GFILM does something I hadn't seen before: highlights warm up on their own. The digital white disappears and the real film cream shows up."

Roberto F. — Director & Colorist · Seville
★★★★★

"I bought the full pack and I've been using it in production for months. The price is a fraction of what I pay in subscriptions."

Patricia G. — Post-production · Madrid
Free Trial

Test it on your own footage before deciding.

Download the GLOOK Trial and load it on a timeline in DaVinci Resolve Studio. Test it on your own cameras, your own light, your own footage — not a demo reel.

Get the GLOOK trial

Enter your name and email to download. No card needed.

Please fill in your name and email.
✓ Check your inbox — your GLOOK trial download link is on its way.

↓ Direct download if you don't receive the email

No credit card. One email. Works on your own footage in Resolve Studio.

The Full Pack

GLOOK — one licence. No subscription.

LUT Packs €20–€50 — low control
Plugins €100–€300 — limited flexibility
ViewGrade (9 DCTLs) €175 — full cinematic control system

ViewGrade Complete Pack

175€one-time

Everything needed to apply the G ecosystem across your projects in DaVinci Resolve Studio.

  • All 9 ViewGrade DCTLs
  • Automatic skin protection in every DCTL
  • Native DWG · Rec.709 · ACES cct
  • Installation and setup guides per DCTL
  • Licence for personal and client projects
  • Free updates for life

ViewGrade is sold once, not rented. The pack costs less than the time it takes to rebuild one of these looks manually on a single project.

Get started

Try it free. Then decide.

GLOOK gives you a calibrated starting point — film-accurate tone, colour separation, grain and skin protection — in one node, in seconds.

Download Free Trial

See pricing — €175